Interview: Film editor Lee Smith on making '1917' look seamless

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Interview: Film editor Lee Smith on making '1917' look seamless
ART OF THE CUT with Oscar-winner Lee Smith, ACE on 1917 by Steve Hullfish - ProVideo Coalition
Interview: Film editor Lee Smith on making '1917' look seamless
How '1917' Editor Lee Smith Cut a 'One-Shot' Feature Film - TheWrap
Interview: Film editor Lee Smith on making '1917' look seamless
1917 Cineworld interview with editor Lee Smith
Interview: Film editor Lee Smith on making '1917' look seamless
1917 Editing Explained: Why There Are Way More Cuts Than You Think
Interview: Film editor Lee Smith on making '1917' look seamless
How Editor Lee Smith & Sound Editor Oliver Tarney Crafted the Immersive Story of 1917 - The Credits
Interview: Film editor Lee Smith on making '1917' look seamless
BTL Workers of the Film Industry: Editors
Interview: Film editor Lee Smith on making '1917' look seamless
How '1917' Editor Lee Smith Cut a 'One-Shot' Feature Film - TheWrap
Interview: Film editor Lee Smith on making '1917' look seamless
Interview: Film editor Lee Smith on making '1917' look seamless - AwardsWatch
Interview: Film editor Lee Smith on making '1917' look seamless
1917' Editor Lee Smith On Being The Film's Invisible Secret Weapon [ Interview]
Interview: Film editor Lee Smith on making '1917' look seamless
How Cinematographer Roger Deakins Lensed WWI Epic 1917 As One Shot
Interview: Film editor Lee Smith on making '1917' look seamless
How Sam Mendes' '1917' Was Filmed Like Continuous Shot
Interview: Film editor Lee Smith on making '1917' look seamless
1917 Cineworld interview with editor Lee Smith
Interview: Film editor Lee Smith on making '1917' look seamless
Behind the scenes: 1917, Industry Trends
Interview: Film editor Lee Smith on making '1917' look seamless
1917's Roger Deakins, Sam Mendes and Editor Lee Smith Go In-Depth in 40-Minute Q&A

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